Discover artists, learn about new works, and stay connected to the art world with our free newsletters. Register your free account and subscribe to one or more! To see all of our free newsletters, click here.
Privacy Policy
Thank you for registering!
An account was already registered with this email. Please check your inbox for an authentication link.
Hyperallergic
Sensitive to Art & its Discontents
As an independent publication, we rely on readers like you to fund our journalism and keep our reporting and criticism free and accessible to all. If you value our coverage and want to support more of it, consider becoming a member today.
Swifties are swarming The Grove in Los Angeles in a days-long hunt for clues about Taylor Swift’s 11th studio album The Tortured Poets Department (2024). In advance of the album’s April 19 release, the singer-songwriter collaborated with Spotify on a three-day pop-up “library installation” that went on display in the open-air shopping mall yesterday, April 16, offering dozens of easter eggs about the new album and other potential future projects that have yet to be officially announced.
Before dawn yesterday, over 1,200 fans of the artist lined up to sneak a peek at the installation, which is teeming with dark academia props including seemingly worn manuscripts, typewriters, fountain pens, clocks, and shelves lined with books.
Sign up for our free newsletters to get the latest art news, reviews, and opinions from Hyperallergic in your inbox every weekday. To see our full list of free newsletters, click here.
According to Hyperallergic contributor Matt Stromberg, who was on the ground, the crowd was generationally diverse, with several younger visitors attending with their parents and “a couple of guys wearing Iron Maiden and thrasher t-shirts.”
While the news of the pop-up may have fans excitedly lining up in an outdoor shopping center before dawn, the actual installation itself has many Swifties divided online.
On X, users were quick to poke fun at the installation’s tea-stained lyrics, which misspelled the word “talismans,” with one person finding humor in the pseudo-artifacts’ inclusion of a faded Spotify logo:
Others took issue with the pop-up’s location in the beloved-and-hated luxury commercial center, which has been criticized over its parking policies:
But one of the best comments came from the Los Angeles Public Library, which couldn’t resist offering its thoughts on the temporary installation:
Simply visiting the pop-up once won’t encapsulate the entire experience, as the makeshift library is continually updated each day, but fans unable to attend the pop-up for its entire run in-person can stay in-the-know on the latest clues via the streaming service’s social media accounts — or through all the memes and TikToks lampooning it.
“Additionally, fans should keep their eyes peeled at the event and on Taylor’s countdown page for surprises leading into Friday’s release,” a press release reads.
Regardless of whether audiences find a “library installation” tacky or tasteful, the pop-up attraction is just the latest public relations gimmick Swift is currently using to promote her new music — a QR code mural in Chicago that is part of an international Swiftie puzzle apparently linked people to a YouTube short with the message “Error 321” and a faded “13.” At the end of the day (9pm for those in line at The Grove), this seems to only fuel her devoted fanbase.
As an independent publication, we rely on readers like you to fund our journalism and keep our reporting and criticism free and accessible to all. If you value our coverage and want to support more of it, consider becoming a member today.
Maya Pontone (she/her) is a Staff News Writer at Hyperallergic. Originally from Northern New Jersey, she currently resides in Brooklyn, where she covers daily news, both within and outside New York City…. More by Maya Pontone
Only Members may post a comment. Become a member now.
This week, the return of the “dumbphone,” the future of music criticism, and a primer on how to title an academic paper.
Perfectly timed for maximum press attention, the performative closure of the country’s pavilion is opportunistic and cynical.
By interacting with Eloïse Bonneviot and Anne de Boer’s spatial installation in Prague, viewers create speculative scenarios for an ecologically aware city.
Each of 69 squares is being sold as a print to directly support a family trying to flee Gaza.
Guerrilla Girls share an MLK-inspired letter the artist sent them in 1994.
Register for credit-bearing summer art studios (online and in-person) for high school and college students to explore new ideas and artistic media at Cornell AAP.
The exhibition Disguise the Limit highlights the many different ways Yau has worked with a wide range of visual artists over the past five decades.
Beatriz Nascimento’s groundbreaking research defied dominant White Brazilian academic narratives, instead emphasizing Black political agency.
Women figurative realist painters can propel their careers by entering to win $50,000 and a traveling solo exhibition of their work. Applications are open through October 4.
“My practice has grown in new ways just from being in close proximity to other artists.”
Photojournalist Mohammed Salem captured a Palestinian woman embracing the body of her niece, who was killed by an Israeli airstrike.
Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.
We’ve recently sent you an authentication link. Please, check your inbox!
Sign in with a password below, or sign in using your email.
Get a code sent to your email to sign in, or sign in using a password.
Enter the code you received via email to sign in, or sign in using a password.
Subscribe to our newsletters:
Sign in with your email
Lost your password?
Try a different email
Send another code
Sign in with a password
Privacy Policy